This Week in Doctor WhoThis Week in Doctor Who

BBC America

Broadcast DatesBBC America

Last updated 18 June 2023

Listing entries including Sunday 22nd July 2012

EpisodeBroadcast  Viewers Share Pos
The Impossible Planet Tue 26 Jun 2012 3:00pm  EDT    
The Satan Pit Tue 26 Jun 2012 9:00pm  EDT    
The Eleventh Hour Wed 27 Jun 2012 8:00am  EDT    
The Beast Below Wed 27 Jun 2012 9:00am  EDT    
Love & Monsters Wed 27 Jun 2012 9:00pm  EDT    
Love & Monsters Thu 28 Jun 2012 3:00pm  EDT    
Fear Her Thu 28 Jun 2012 9:00pm  EDT    
Fear Her Fri 29 Jun 2012 3:00pm  EDT    
Army of Ghosts Fri 29 Jun 2012 9:00pm  EDT    
The Eleventh Hour Sun 8 Jul 2012 2:00am  EDT    
The Beast Below Sun 8 Jul 2012 3:00am  EDT    
Victory of the Daleks Sun 8 Jul 2012 4:00am  EDT    
The Time of Angels Sun 8 Jul 2012 5:00am  EDT    
Army of Ghosts Mon 9 Jul 2012 10:00am  EDT    
Victory of the Daleks Wed 11 Jul 2012 3:00am  EDT    
The Time of Angels Wed 11 Jul 2012 4:00am  EDT    
Doomsday Wed 11 Jul 2012 10:00am  EDT    
The Runaway Bride Wed 11 Jul 2012 4:00pm  EDT    
The Runaway Bride Thu 12 Jul 2012 10:00am  EDT    
Smith and Jones Thu 12 Jul 2012 4:00pm  EDT    
Smith and Jones Fri 13 Jul 2012 10:00am  EDT    
The Shakespeare Code Fri 13 Jul 2012 4:00pm  EDT    
Flesh and Stone Sun 15 Jul 2012 2:00am  EDT    
The Vampires of Venice Sun 15 Jul 2012 3:00am  EDT    
Amy's Choice Sun 15 Jul 2012 4:00am  EDT    
The Hungry Earth Sun 15 Jul 2012 5:00am  EDT    
Gridlock Mon 16 Jul 2012 10:00am  EDT    
Daleks in Manhattan Tue 17 Jul 2012 10:00am  EDT    
Evolution of the Daleks Tue 17 Jul 2012 4:00pm  EDT    
Flesh and Stone Wed 18 Jul 2012 3:00am  EDT    
The Vampires of Venice Wed 18 Jul 2012 4:00am  EDT    
Evolution of the Daleks Wed 18 Jul 2012 10:00am  EDT    
The Lazarus Experiment Wed 18 Jul 2012 4:00pm  EDT    
The Lazarus Experiment Thu 19 Jul 2012 10:00am  EDT    
42 Thu 19 Jul 2012 4:00pm  EDT    
42 Fri 20 Jul 2012 10:00am  EDT    
Cold Blood Fri 20 Jul 2012 11:00am  EDT    
Human Nature Fri 20 Jul 2012 4:00pm  EDT    
Cold Blood Sun 22 Jul 2012 2:00am  EDT    
Vincent and the Doctor Sun 22 Jul 2012 3:00am  EDT    
The Lodger Sun 22 Jul 2012 4:00am  EDT    
The Pandorica Opens Sun 22 Jul 2012 5:00am  EDT    
The Family of Blood Mon 23 Jul 2012 10:00am  EDT    
Vincent and the Doctor Mon 23 Jul 2012 11:00am  EDT    
Blink Tue 24 Jul 2012 10:00am  EDT    
The Lodger Tue 24 Jul 2012 11:00am  EDT    
Utopia Tue 24 Jul 2012 4:00pm  EDT    
Amy's Choice Wed 25 Jul 2012 3:00am  EDT    
The Hungry Earth Wed 25 Jul 2012 4:00am  EDT    
Utopia Wed 25 Jul 2012 10:00am  EDT    
The Pandorica Opens Wed 25 Jul 2012 11:00am  EDT    
The Sound of Drums Wed 25 Jul 2012 4:00pm  EDT    
Forest of the Dead Thu 26 Jul 2012 12:00am  EDT    
Midnight Thu 26 Jul 2012 1:00am  EDT    
Turn Left Thu 26 Jul 2012 2:00am  EDT    
The Stolen Earth Thu 26 Jul 2012 3:00am  EDT    
Journey's End Thu 26 Jul 2012 4:00am  EDT    
The Sound of Drums Thu 26 Jul 2012 10:00am  EDT    
The Big Bang Thu 26 Jul 2012 11:00am  EDT    
Last of the Time Lords Thu 26 Jul 2012 4:00pm  EDT    
The Unicorn and the Wasp Fri 27 Jul 2012 10:00am  EDT    
Silence in the Library Fri 27 Jul 2012 11:00am  EDT    
Voyage of the Damned Fri 27 Jul 2012 4:00pm  EDT    
The Eleventh Hour Sat 28 Jul 2012 6:00am  EDT    
The Beast Below Sat 28 Jul 2012 7:00am  EDT    
Victory of the Daleks Sat 28 Jul 2012 8:00am  EDT    
The Time of Angels Sat 28 Jul 2012 9:00am  EDT    
Flesh and Stone Sat 28 Jul 2012 10:00am  EDT    
The Vampires of Venice Sat 28 Jul 2012 11:00am  EDT    
Amy's Choice Sat 28 Jul 2012 12:00pm  EDT    
The Hungry Earth Sat 28 Jul 2012 1:00pm  EDT    
Cold Blood Sat 28 Jul 2012 2:00pm  EDT    
Vincent and the Doctor Sat 28 Jul 2012 3:00pm  EDT    
The Lodger Sat 28 Jul 2012 4:00pm  EDT    
The Pandorica Opens Sat 28 Jul 2012 5:00pm  EDT    
The Big Bang Sat 28 Jul 2012 6:00pm  EDT    
The Next Doctor Sun 29 Jul 2012 3:00am  EDT    
The Waters of Mars Sun 29 Jul 2012 4:00am  EDT    
Voyage of the Damned Sun 29 Jul 2012 5:00am  EDT    
Forest of the Dead Mon 30 Jul 2012 10:00am  EDT    
Midnight Mon 30 Jul 2012 11:00am  EDT    
Turn Left Tue 31 Jul 2012 10:00am  EDT    
The Stolen Earth Tue 31 Jul 2012 11:00am  EDT    
Planet of the Ood Tue 31 Jul 2012 4:00pm  EDT    
Cold Blood Wed 1 Aug 2012 3:00am  EDT    
Vincent and the Doctor Wed 1 Aug 2012 4:00am  EDT    
Journey's End Wed 1 Aug 2012 10:00am  EDT    
The Sontaran Stratagem Wed 1 Aug 2012 4:00pm  EDT    
Planet of the Dead Thu 2 Aug 2012 10:00am  EDT    
The Next Doctor Thu 2 Aug 2012 11:00am  EDT    
The Poison Sky Thu 2 Aug 2012 4:00pm  EDT    
The End of Time: Part One Fri 3 Aug 2012 9:00am  EDT    
The End of Time: Part Two Fri 3 Aug 2012 10:00am  EDT    
The Doctor's Daughter Fri 3 Aug 2012 4:00pm  EDT    
The Science of Doctor Who (Factual) Sat 4 Aug 2012 9:00pm  EDT    Premiere
Rose Sun 5 Aug 2012 2:00am  EDT    
The End Of The World Sun 5 Aug 2012 3:00am  EDT    
The Unquiet Dead Sun 5 Aug 2012 4:00am  EDT    
Aliens of London Sun 5 Aug 2012 5:00am  EDT    
The Eleventh Hour Mon 6 Aug 2012 10:00am  EDT    


A breakdown of the different types of rating figures found for US Television. We show the total viewer figure and the mosrt commonly used Nielsen A18-49 chart position.


Rating: Ratings are essentially percentages, measuring the portion of a given group — be it households, adults 18-49 or women 25-54 — watching a given show. Adults 18-49 is the primary demographic by which ad rates are set for entertainment programming, so it's the most commonly reported (one point in that demo equals 1.28 million people). So a 2.0 rating for The Masked Singer means that 2 percent of people in that age range, roughly 2.56 million people, watched the show.

Share: The percentage of a given group who are watching TV at that time and are tuned into a given program. Wednesday's Masked Singer had a 10 share in adults 18-49 (10 percent of adults under 50, who had their TVs on at that hour, watched it). It's typically written as "rating/share," so 2.0/10 for The Masked Singer.

Total viewers: Pretty self-explanatory — the average number of people watching a program in any given minute while it airs.

Overnight metered market ratings: These are the first ratings released each morning — or they were, anyway, until Oct. 3. Nielsen is planning to include out-of-home viewing in these numbers from now on (the first day of the new system didn't go well), which means they'll be released around midday now. Metered market ratings only take measurements from 44 markets (56 previously) for households and 25 markets for adults 18-49, so they're best considered as a first draft on how programming performed rather than definitive. They had been useful for gauging live events since they measure programs instead of just time periods.

Live-plus-same-day: The ratings that get reported each day, first as "fast nationals" in the morning and then as final numbers in the afternoon. They include both live viewing from the previous night and delayed viewing until 3 a.m. local time. Fast nationals are generally pretty accurate for entertainment programs, with occasional small adjustments in the finals.

Live-plus-3: Same-day ratings with three additional days of DVR and on-demand viewing added in. The majority of delayed viewing that Nielsen measures happens in this timeframe, with most shows growing their audiences by a good amount.

Live-plus-7: The same as live-plus-3, extended to a full week. In the 2018-19 season, two dozen series at least doubled their 18-49 ratings after seven days.

C3 and C7 ratings: Arguably the most important ratings numbers that the public doesn't usually see. These ratings track the number of viewers who actually watch commercials — which is why Nielsen ratings exist in the first place — over three or seven days. They play a big role in setting rates for advertisers buying commercial time. The occasional glimpses at C3 and C7 ratings in recent years have suggested they're higher than same-day numbers but a good distance short of live-plus-3 and live-plus-7 numbers.

Live-plus-35: An even longer-tail measurement that takes into account viewing that happens up to five weeks after a show airs. It's not a huge piece of the viewing pie, but it's not tiny, either.

Multiplatform ratings: Things can get a bit fuzzy here, as multiplatform ratings can include streaming and digital viewing via a network's app or third-party service like Hulu, plus on-air replays. The digital audience is growing — some shows get more viewers there than from their on-air showings — but no company in the business willingly offers up definitive streaming or digital viewership. It's only included as part of a whole. (It is possible to subtract, say live-plus-7 ratings from a multiplatform total to get a rough estimate of how many people watch something via nontraditional platforms).

Furthermore, each network has its own way of calculating cross-platform viewing, and timeframes can get murky. HBO touted a massive audience of 44 million viewers for the final season of Game of Thrones, but that included up six weeks of streaming and replays of the season premiere, five weeks of episode two and so on.

Streaming ratings: Are not really a thing. Nielsen does measure the audience for streaming shows, but Netflix and other platforms have disputed the ratings service's numbers as they don't take into account viewing on other devices.

Netflix has reported some viewership figures in recent quarterly earnings reports, but they're not really analogous to Nielsen ratings. Netflix considers a piece of content as having been "viewed" when a member account watches at least 70 percent of one episode of a series or 70 percent of a feature film. It also counts subscribers around the world rather than just the domestic viewers that Nielsen measures. The numbers can be useful in comparing one Netflix show to another, but the service has thus far only publicly released highlights, not a full tally.

For live events that include a streaming option, networks or other providers will often cite an "average minute audience" for a live stream. That's the closest thing to Nielsen's average total viewers statistic.

Social ratings: Nielsen measures social engagement around TV shows, counting the number of posts about a given episode and the reach of the conversation. As with all ratings, higher is better, but heavy social conversation and high on-air ratings don't necessarily go hand in hand.

Third-party measurements: A number of companies measure things like out-of-home viewing or binge viewing, but they can rely on users to opt in to sharing data, which can lead to a less representative sample.

LinkCredit: Hollywood Reporter