This Week in Doctor WhoThis Week in Doctor Who

BBC America

Broadcast DatesBBC America

Last updated 09 July 2022

Listing entries from Tuesday 31st December 2013

EpisodeBroadcast  Viewers Share Pos
The Waters of Mars Tue 31 Dec 2013 4:00pm  EST    
The End of Time: Part One Tue 31 Dec 2013 5:00pm  EST    
The End of Time: Part Two Tue 31 Dec 2013 6:30pm  EST    
The Day of The Doctor Tue 31 Dec 2013 8:00pm  EST    
The Time of the Doctor Tue 31 Dec 2013 9:40pm  EST    
The Impossible Astronaut Wed 1 Jan 2014 8:00am  EST    
Day of the Moon Wed 1 Jan 2014 9:00am  EST    
The Next Doctor Thu 2 Jan 2014 8:00am  EST    
The New World (TW) Thu 2 Jan 2014 9:00am  EST    
Planet of the Dead Fri 3 Jan 2014 8:00am  EST    
Rendition (TW) Fri 3 Jan 2014 9:00am  EST    
The Waters of Mars Mon 6 Jan 2014 8:00am  EST    
Dead of Night (TW) Mon 6 Jan 2014 9:00am  EST    
The Eleventh Hour Tue 7 Jan 2014 8:00am  EST    
Escape to L.A. (TW) Tue 7 Jan 2014 9:00am  EST    
Doomsday Wed 8 Jan 2014 2:00am  EST    
The Runaway Bride Wed 8 Jan 2014 3:00am  EST    
Smith and Jones Wed 8 Jan 2014 4:00am  EST    
The Shakespeare Code Wed 8 Jan 2014 5:00am  EST    
The Beast Below Wed 8 Jan 2014 8:00am  EST    
The Categories of Life (TW) Wed 8 Jan 2014 9:00am  EST    
Victory of the Daleks Thu 9 Jan 2014 8:00am  EST    
The Middle Men (TW) Thu 9 Jan 2014 9:00am  EST    
The Time of Angels Fri 10 Jan 2014 8:00am  EST    
Immortal Sins (TW) Fri 10 Jan 2014 9:00am  EST    
Flesh and Stone Mon 13 Jan 2014 8:00am  EST    
End of the Road (TW) Mon 13 Jan 2014 9:00am  EST    
The Vampires of Venice Tue 14 Jan 2014 8:00am  EST    
The Gathering (TW) Tue 14 Jan 2014 9:00am  EST    
Gridlock Wed 15 Jan 2014 2:00am  EST    
Daleks in Manhattan Wed 15 Jan 2014 3:00am  EST    
Evolution of the Daleks Wed 15 Jan 2014 4:00am  EST    
The Lazarus Experiment Wed 15 Jan 2014 5:00am  EST    
Amy's Choice Wed 15 Jan 2014 8:00am  EST    
The Blood Line (TW) Wed 15 Jan 2014 9:00am  EST    
The Hungry Earth Thu 16 Jan 2014 8:00am  EST    
Everything Changes (TW) Thu 16 Jan 2014 9:00am  EST    
Cold Blood Fri 17 Jan 2014 8:00am  EST    
Day One (TW) Fri 17 Jan 2014 9:00am  EST    
Vincent and the Doctor Tue 21 Jan 2014 8:00am  EST    
Ghost Machine (TW) Tue 21 Jan 2014 9:00am  EST    
42 Wed 22 Jan 2014 2:00am  EST    
Human Nature Wed 22 Jan 2014 3:00am  EST    
The Family of Blood Wed 22 Jan 2014 4:00am  EST    
Blink Wed 22 Jan 2014 5:00am  EST    
The Lodger Wed 22 Jan 2014 8:00am  EST    
Cyberwoman (TW) Wed 22 Jan 2014 9:00am  EST    
The Pandorica Opens Thu 23 Jan 2014 8:00am  EST    
Small Worlds (TW) Thu 23 Jan 2014 9:00am  EST    
The Big Bang Fri 24 Jan 2014 8:00am  EST    
Countrycide (TW) Fri 24 Jan 2014 9:00am  EST    
A Christmas Carol Mon 27 Jan 2014 8:00am  EST    
The Impossible Astronaut Mon 27 Jan 2014 9:00am  EST    
Greeks Bearing Gifts (TW) Mon 27 Jan 2014 10:00am  EST    
Day of the Moon Tue 28 Jan 2014 8:00am  EST    
The Curse of the Black Spot Tue 28 Jan 2014 9:00am  EST    
They Keep Killing Suzie (TW) Tue 28 Jan 2014 10:00am  EST    
Utopia Wed 29 Jan 2014 12:00am  EST    
The Sound of Drums Wed 29 Jan 2014 1:00am  EST    
Last of the Time Lords Wed 29 Jan 2014 2:00am  EST    
Voyage of the Damned Wed 29 Jan 2014 3:00am  EST    
Day of the Moon Wed 29 Jan 2014 4:00am  EST    
The Curse of the Black Spot Wed 29 Jan 2014 5:00am  EST    
The Doctor's Wife Thu 30 Jan 2014 8:00am  EST    
The Rebel Flesh Thu 30 Jan 2014 9:00am  EST    
Random Shoes (TW) Thu 30 Jan 2014 10:00am  EST    
The Almost People Fri 31 Jan 2014 8:00am  EST    
A Good Man Goes to War Fri 31 Jan 2014 9:00am  EST    
Out of Time (TW) Fri 31 Jan 2014 10:00am  EST    
The Runaway Bride Sat 1 Feb 2014 12:00pm  EST    
Blink Sat 1 Feb 2014 1:00pm  EST    
Voyage of the Damned Sat 1 Feb 2014 2:00pm  EST    
The Waters of Mars Sat 1 Feb 2014 3:00pm  EST    
Let's Kill Hitler Mon 3 Feb 2014 8:00am  EST    
Night Terrors Mon 3 Feb 2014 9:00am  EST    
Combat (TW) Mon 3 Feb 2014 10:00am  EST    
The Girl Who Waited Tue 4 Feb 2014 8:00am  EST    
The God Complex Tue 4 Feb 2014 9:00am  EST    
Captain Jack Harkness (TW) Tue 4 Feb 2014 10:00am  EST    
Victory of the Daleks Wed 5 Feb 2014 12:00am  EST    
The Time of Angels Wed 5 Feb 2014 1:00am  EST    
Flesh and Stone Wed 5 Feb 2014 2:00am  EST    
The Vampires of Venice Wed 5 Feb 2014 3:00am  EST    
Amy's Choice Wed 5 Feb 2014 4:00am  EST    
The Hungry Earth Wed 5 Feb 2014 5:00am  EST    
Closing Time Wed 5 Feb 2014 8:00am  EST    
The Wedding of River Song Wed 5 Feb 2014 9:00am  EST    
End of Days (TW) Wed 5 Feb 2014 10:00am  EST    
The Doctor, The Widow and the Wardrobe Thu 6 Feb 2014 8:00am  EST    
Asylum of the Daleks Thu 6 Feb 2014 9:00am  EST    
Kiss Kiss, Bang Bang (TW) Thu 6 Feb 2014 10:00am  EST    
Dinosaurs on a Spaceship Fri 7 Feb 2014 8:00am  EST    
A Town Called Mercy Fri 7 Feb 2014 9:00am  EST    
Sleeper (TW) Fri 7 Feb 2014 10:00am  EST    
Blink Sat 8 Feb 2014 12:00pm  EST    
Silence in the Library Sat 8 Feb 2014 1:00pm  EST    
Forest of the Dead Sat 8 Feb 2014 2:00pm  EST    
The Eleventh Hour Sat 8 Feb 2014 3:00pm  EST    
The Beast Below Sat 8 Feb 2014 4:00pm  EST    
The Power Of Three Tue 11 Feb 2014 8:00am  EST    


A breakdown of the different types of rating figures found for US Television. We show the total viewer figure and the mosrt commonly used Nielsen A18-49 chart position.


Rating: Ratings are essentially percentages, measuring the portion of a given group — be it households, adults 18-49 or women 25-54 — watching a given show. Adults 18-49 is the primary demographic by which ad rates are set for entertainment programming, so it's the most commonly reported (one point in that demo equals 1.28 million people). So a 2.0 rating for The Masked Singer means that 2 percent of people in that age range, roughly 2.56 million people, watched the show.

Share: The percentage of a given group who are watching TV at that time and are tuned into a given program. Wednesday's Masked Singer had a 10 share in adults 18-49 (10 percent of adults under 50, who had their TVs on at that hour, watched it). It's typically written as "rating/share," so 2.0/10 for The Masked Singer.

Total viewers: Pretty self-explanatory — the average number of people watching a program in any given minute while it airs.

Overnight metered market ratings: These are the first ratings released each morning — or they were, anyway, until Oct. 3. Nielsen is planning to include out-of-home viewing in these numbers from now on (the first day of the new system didn't go well), which means they'll be released around midday now. Metered market ratings only take measurements from 44 markets (56 previously) for households and 25 markets for adults 18-49, so they're best considered as a first draft on how programming performed rather than definitive. They had been useful for gauging live events since they measure programs instead of just time periods.

Live-plus-same-day: The ratings that get reported each day, first as "fast nationals" in the morning and then as final numbers in the afternoon. They include both live viewing from the previous night and delayed viewing until 3 a.m. local time. Fast nationals are generally pretty accurate for entertainment programs, with occasional small adjustments in the finals.

Live-plus-3: Same-day ratings with three additional days of DVR and on-demand viewing added in. The majority of delayed viewing that Nielsen measures happens in this timeframe, with most shows growing their audiences by a good amount.

Live-plus-7: The same as live-plus-3, extended to a full week. In the 2018-19 season, two dozen series at least doubled their 18-49 ratings after seven days.

C3 and C7 ratings: Arguably the most important ratings numbers that the public doesn't usually see. These ratings track the number of viewers who actually watch commercials — which is why Nielsen ratings exist in the first place — over three or seven days. They play a big role in setting rates for advertisers buying commercial time. The occasional glimpses at C3 and C7 ratings in recent years have suggested they're higher than same-day numbers but a good distance short of live-plus-3 and live-plus-7 numbers.

Live-plus-35: An even longer-tail measurement that takes into account viewing that happens up to five weeks after a show airs. It's not a huge piece of the viewing pie, but it's not tiny, either.

Multiplatform ratings: Things can get a bit fuzzy here, as multiplatform ratings can include streaming and digital viewing via a network's app or third-party service like Hulu, plus on-air replays. The digital audience is growing — some shows get more viewers there than from their on-air showings — but no company in the business willingly offers up definitive streaming or digital viewership. It's only included as part of a whole. (It is possible to subtract, say live-plus-7 ratings from a multiplatform total to get a rough estimate of how many people watch something via nontraditional platforms).

Furthermore, each network has its own way of calculating cross-platform viewing, and timeframes can get murky. HBO touted a massive audience of 44 million viewers for the final season of Game of Thrones, but that included up six weeks of streaming and replays of the season premiere, five weeks of episode two and so on.

Streaming ratings: Are not really a thing. Nielsen does measure the audience for streaming shows, but Netflix and other platforms have disputed the ratings service's numbers as they don't take into account viewing on other devices.

Netflix has reported some viewership figures in recent quarterly earnings reports, but they're not really analogous to Nielsen ratings. Netflix considers a piece of content as having been "viewed" when a member account watches at least 70 percent of one episode of a series or 70 percent of a feature film. It also counts subscribers around the world rather than just the domestic viewers that Nielsen measures. The numbers can be useful in comparing one Netflix show to another, but the service has thus far only publicly released highlights, not a full tally.

For live events that include a streaming option, networks or other providers will often cite an "average minute audience" for a live stream. That's the closest thing to Nielsen's average total viewers statistic.

Social ratings: Nielsen measures social engagement around TV shows, counting the number of posts about a given episode and the reach of the conversation. As with all ratings, higher is better, but heavy social conversation and high on-air ratings don't necessarily go hand in hand.

Third-party measurements: A number of companies measure things like out-of-home viewing or binge viewing, but they can rely on users to opt in to sharing data, which can lead to a less representative sample.

LinkCredit: Hollywood Reporter