This Week in Doctor WhoThis Week in Doctor Who

BBC America

Broadcast DatesBBC America

Last updated 21 March 2021

Listing entries including Saturday 3rd June 2017

EpisodeBroadcast  Viewers Share Pos
Fear Her Tue 23 May 2017 11:00am  EDT    
Army of Ghosts Wed 24 May 2017 6:00am  EDT    
Doomsday Wed 24 May 2017 7:00am  EDT    
The Runaway Bride Wed 24 May 2017 8:00am  EDT    
Smith and Jones Wed 24 May 2017 9:00am  EDT    
The Shakespeare Code Wed 24 May 2017 10:00am  EDT    
Gridlock Wed 24 May 2017 11:00am  EDT    
Daleks in Manhattan Thu 25 May 2017 6:00am  EDT    
Evolution of the Daleks Thu 25 May 2017 7:00am  EDT    
The Lazarus Experiment Thu 25 May 2017 8:00am  EDT    
42 Thu 25 May 2017 9:00am  EDT    
Human Nature Thu 25 May 2017 10:00am  EDT    
The Family of Blood Thu 25 May 2017 11:00am  EDT    
Silence in the Library Fri 26 May 2017 6:00am  EDT    
Forest of the Dead Fri 26 May 2017 7:00am  EDT    
Midnight Fri 26 May 2017 8:00am  EDT    
Turn Left Fri 26 May 2017 9:00am  EDT    
The Stolen Earth Fri 26 May 2017 10:00am  EDT    
Journey's End Fri 26 May 2017 11:00am  EDT    
Extremis Sat 27 May 2017 8:00pm  EDT    
The Pyramid At The End Of The World Sat 27 May 2017 9:00pm  EDT  0.49m  35Premiere
The Metaphysical Engine, or What Quill Did (Class) Sat 27 May 2017 10:05pm  EDT  0.21m  113Premiere
The Pyramid At The End Of The World Sun 28 May 2017 12:00am  EDT    
The Metaphysical Engine, or What Quill Did (Class) Sun 28 May 2017 1:05am  EDT    
Extremis Sun 28 May 2017 2:04am  EDT    
The Fires of Pompeii Tue 30 May 2017 6:00am  EDT    
Planet of the Ood Tue 30 May 2017 7:00am  EDT    
The Sontaran Stratagem Tue 30 May 2017 8:00am  EDT    
The Poison Sky Tue 30 May 2017 9:00am  EDT    
The Doctor's Daughter Tue 30 May 2017 10:00am  EDT    
The Unicorn and the Wasp Tue 30 May 2017 11:00am  EDT    
Silence in the Library Wed 31 May 2017 6:00am  EDT    
Forest of the Dead Wed 31 May 2017 7:00am  EDT    
Midnight Wed 31 May 2017 8:00am  EDT    
Turn Left Wed 31 May 2017 9:00am  EDT    
The Stolen Earth Wed 31 May 2017 10:00am  EDT    
Journey's End Wed 31 May 2017 11:00am  EDT    
Journey's End Thu 1 Jun 2017 6:00am  EDT    
Planet of the Dead Thu 1 Jun 2017 7:00am  EDT    
The Waters of Mars Thu 1 Jun 2017 8:00am  EDT    
The End of Time: Parts 1 & 2 Thu 1 Jun 2017 9:00am  EDT    
Everything Changes (TW) Fri 2 Jun 2017 6:00am  EDT    
Day One (TW) Fri 2 Jun 2017 7:00am  EDT    
Ghost Machine (TW) Fri 2 Jun 2017 8:00am  EDT    
Cyberwoman (TW) Fri 2 Jun 2017 9:00am  EDT    
Small Worlds (TW) Fri 2 Jun 2017 10:00am  EDT    
Countrycide (TW) Fri 2 Jun 2017 11:00am  EDT    
Greeks Bearing Gifts (TW) Fri 2 Jun 2017 12:00pm  EDT    
They Keep Killing Suzie (TW) Fri 2 Jun 2017 1:00pm  EDT    
Random Shoes (TW) Fri 2 Jun 2017 2:00pm  EDT    
Out of Time (TW) Fri 2 Jun 2017 3:00pm  EDT    
Combat (TW) Fri 2 Jun 2017 4:00pm  EDT    
Captain Jack Harkness (TW) Fri 2 Jun 2017 5:00pm  EDT    
End of Days (TW) Fri 2 Jun 2017 6:00pm  EDT    
Kiss Kiss, Bang Bang (TW) Fri 2 Jun 2017 7:00pm  EDT    
Sleeper (TW) Fri 2 Jun 2017 8:00pm  EDT    
To the Last Man (TW) Fri 2 Jun 2017 9:00pm  EDT    
Meat (TW) Fri 2 Jun 2017 10:00pm  EDT    
Adam (TW) Fri 2 Jun 2017 11:00pm  EDT    
Reset (TW) Sat 3 Jun 2017 12:00am  EDT    
Dead Man Walking (TW) Sat 3 Jun 2017 1:00am  EDT    
A Day in the Death (TW) Sat 3 Jun 2017 2:00am  EDT    
Something Borrowed (TW) Sat 3 Jun 2017 3:00am  EDT    
From Out of the Rain (TW) Sat 3 Jun 2017 4:00am  EDT    
Adrift (TW) Sat 3 Jun 2017 5:00am  EDT    
Dead Man Walking (TW) Sat 3 Jun 2017 6:00am  EDT    
A Day in the Death (TW) Sat 3 Jun 2017 7:00am  EDT    
Something Borrowed (TW) Sat 3 Jun 2017 8:00am  EDT    
From Out of the Rain (TW) Sat 3 Jun 2017 9:00am  EDT    
Adrift (TW) Sat 3 Jun 2017 10:00am  EDT    
Fragments (TW) Sat 3 Jun 2017 11:00am  EDT    
Exit Wounds (TW) Sat 3 Jun 2017 12:05pm  EDT    
Children Of Earth: Day One (TW) Sat 3 Jun 2017 1:10pm  EDT    
Children Of Earth: Day Two (TW) Sat 3 Jun 2017 2:30pm  EDT    
Children Of Earth: Day Three (TW) Sat 3 Jun 2017 3:50pm  EDT    
Children Of Earth: Day Four (TW) Sat 3 Jun 2017 5:10pm  EDT    
Children Of Earth: Day Five (TW) Sat 3 Jun 2017 6:35pm  EDT    
The Pyramid At The End Of The World Sat 3 Jun 2017 8:00pm  EDT    
The Lie Of The Land Sat 3 Jun 2017 9:00pm  EDT  0.59m  45Premiere
The Lost (Class) Sat 3 Jun 2017 10:00pm  EDT  0.22m  Premiere
The Lie Of The Land Sun 4 Jun 2017 12:00am  EDT    
The Lost (Class) Sun 4 Jun 2017 1:00am  EDT    
The Pyramid At The End Of The World Sun 4 Jun 2017 2:04am  EDT    
The Vampires of Venice Mon 5 Jun 2017 5:00am  EDT    
The Eleventh Hour Mon 5 Jun 2017 6:00am  EDT    
The Beast Below Mon 5 Jun 2017 7:00am  EDT    
Victory of the Daleks Mon 5 Jun 2017 8:00am  EDT    
The Time of Angels Mon 5 Jun 2017 9:00am  EDT    
Flesh and Stone Mon 5 Jun 2017 10:00am  EDT    
The Vampires of Venice Mon 5 Jun 2017 11:00am  EDT    
The Hungry Earth Tue 6 Jun 2017 6:00am  EDT    
Cold Blood Tue 6 Jun 2017 7:00am  EDT    
Vincent and the Doctor Tue 6 Jun 2017 8:00am  EDT    
The Lodger Tue 6 Jun 2017 9:00am  EDT    
The Pandorica Opens Tue 6 Jun 2017 10:00am  EDT    
The Big Bang Tue 6 Jun 2017 11:00am  EDT    
A Christmas Carol Wed 7 Jun 2017 6:00am  EDT    
The Impossible Astronaut Wed 7 Jun 2017 7:00am  EDT    
Day of the Moon Wed 7 Jun 2017 8:00am  EDT    
The Curse of the Black Spot Wed 7 Jun 2017 9:00am  EDT    


A breakdown of the different types of rating figures found for US Television. We show the total viewer figure and the mosrt commonly used Nielsen A18-49 chart position.


Rating: Ratings are essentially percentages, measuring the portion of a given group — be it households, adults 18-49 or women 25-54 — watching a given show. Adults 18-49 is the primary demographic by which ad rates are set for entertainment programming, so it's the most commonly reported (one point in that demo equals 1.28 million people). So a 2.0 rating for The Masked Singer means that 2 percent of people in that age range, roughly 2.56 million people, watched the show.

Share: The percentage of a given group who are watching TV at that time and are tuned into a given program. Wednesday's Masked Singer had a 10 share in adults 18-49 (10 percent of adults under 50, who had their TVs on at that hour, watched it). It's typically written as "rating/share," so 2.0/10 for The Masked Singer.

Total viewers: Pretty self-explanatory — the average number of people watching a program in any given minute while it airs.

Overnight metered market ratings: These are the first ratings released each morning — or they were, anyway, until Oct. 3. Nielsen is planning to include out-of-home viewing in these numbers from now on (the first day of the new system didn't go well), which means they'll be released around midday now. Metered market ratings only take measurements from 44 markets (56 previously) for households and 25 markets for adults 18-49, so they're best considered as a first draft on how programming performed rather than definitive. They had been useful for gauging live events since they measure programs instead of just time periods.

Live-plus-same-day: The ratings that get reported each day, first as "fast nationals" in the morning and then as final numbers in the afternoon. They include both live viewing from the previous night and delayed viewing until 3 a.m. local time. Fast nationals are generally pretty accurate for entertainment programs, with occasional small adjustments in the finals.

Live-plus-3: Same-day ratings with three additional days of DVR and on-demand viewing added in. The majority of delayed viewing that Nielsen measures happens in this timeframe, with most shows growing their audiences by a good amount.

Live-plus-7: The same as live-plus-3, extended to a full week. In the 2018-19 season, two dozen series at least doubled their 18-49 ratings after seven days.

C3 and C7 ratings: Arguably the most important ratings numbers that the public doesn't usually see. These ratings track the number of viewers who actually watch commercials — which is why Nielsen ratings exist in the first place — over three or seven days. They play a big role in setting rates for advertisers buying commercial time. The occasional glimpses at C3 and C7 ratings in recent years have suggested they're higher than same-day numbers but a good distance short of live-plus-3 and live-plus-7 numbers.

Live-plus-35: An even longer-tail measurement that takes into account viewing that happens up to five weeks after a show airs. It's not a huge piece of the viewing pie, but it's not tiny, either.

Multiplatform ratings: Things can get a bit fuzzy here, as multiplatform ratings can include streaming and digital viewing via a network's app or third-party service like Hulu, plus on-air replays. The digital audience is growing — some shows get more viewers there than from their on-air showings — but no company in the business willingly offers up definitive streaming or digital viewership. It's only included as part of a whole. (It is possible to subtract, say live-plus-7 ratings from a multiplatform total to get a rough estimate of how many people watch something via nontraditional platforms).

Furthermore, each network has its own way of calculating cross-platform viewing, and timeframes can get murky. HBO touted a massive audience of 44 million viewers for the final season of Game of Thrones, but that included up six weeks of streaming and replays of the season premiere, five weeks of episode two and so on.

Streaming ratings: Are not really a thing. Nielsen does measure the audience for streaming shows, but Netflix and other platforms have disputed the ratings service's numbers as they don't take into account viewing on other devices.

Netflix has reported some viewership figures in recent quarterly earnings reports, but they're not really analogous to Nielsen ratings. Netflix considers a piece of content as having been "viewed" when a member account watches at least 70 percent of one episode of a series or 70 percent of a feature film. It also counts subscribers around the world rather than just the domestic viewers that Nielsen measures. The numbers can be useful in comparing one Netflix show to another, but the service has thus far only publicly released highlights, not a full tally.

For live events that include a streaming option, networks or other providers will often cite an "average minute audience" for a live stream. That's the closest thing to Nielsen's average total viewers statistic.

Social ratings: Nielsen measures social engagement around TV shows, counting the number of posts about a given episode and the reach of the conversation. As with all ratings, higher is better, but heavy social conversation and high on-air ratings don't necessarily go hand in hand.

Third-party measurements: A number of companies measure things like out-of-home viewing or binge viewing, but they can rely on users to opt in to sharing data, which can lead to a less representative sample.

LinkCredit: Hollywood Reporter